All right, we’re in the backyard of this suburban home. Three young men are arriving. Look at her, the Invisible Girl. You get a pretty good look at her. You’ll see her feet later, trust me. You get a pretty good look at her, enough so that you might actually recognize her if you saw her again. Look at the acting going on here. It’s clear that these guys are arriving and they are excited. What is she saying? Even if you can’t read the balloon, you know she’s saying, “Stay back boys,” just from her body language. Cool.
Month: May 2011
Why this one? This one is an old comic by Stan Lee and Jack Kirby, and it was probably done at a time when the page rates for artists were around ten bucks a page, fifteen bucks a page, so it was probably done very quickly. I guarantee you, Jack didn’t spend a great deal of time pondering each panel. You couldn’t do that if you wanted to earn a living. He didn’t give it a lot of thought. He did it from instinct more or less. Nonetheless, it’s a great illustration of fundamentals.
JayJay here. I’m posting another one of Jim’s plots today. It’s a pretty interesting behind-the-scenes peek to read and compare. This is also available in a reprint volume. Some abbreviations: BG = background, FG = foreground, POV = Point of view
X-O MANOWAR #1 Plot
PAGE ONE
Full page. Eric is fighting his way down a passageway inside a huge starship. There is a trail of alien bodies behind him. He is currently smashing the head of an alien foe with a metal bar, presumably removed from some machine. Several other aliens are attacking Eric. Some have weapons, but at such close quarters it’s difficult to use them effectively.
Eric is tall, blond and well-built, with long, shaggy blond hair and beard. He is discreetly naked.
Full page. We’re in a small North Am military outpost or encampment on an alien world. The world is a hot, seething environment—maybe an alien jungle. The outpost, meant to protect some mining or resource-gathering operation, has been trashed. There are several dead North Am soldiers around, and many destroyed robs. One last soldier, tattered, wounded and scared is trying to defend himself… but he’s being stalked by a Predator in his invisible mode.
Note: North Am soldiers, like all North Americans, are usually wusses. These Deep Space patrols, however, are the hardiest and bravest souls. Possibly we should give the humans some kind of breathing-assistance gear, to add to the feeling of “alien environment.” Make it comfortable-looking. This is the forty-first century.
Question:
Reading the blog it sure seems that office politix and egos are as bad as anywhere else. In Kirby’s case it seems to be driven by Roz, as whenever he is in anyone’s presence Jack seems to be gracious and all ‘o we’ll work it out somehow’ even if he laid claim to Spidey he did almost give it up when pointed out they used Ditko’s design and storyline, Comments? Speaking of Steve, I’ve only skimmed the first of the three portfolio books about him making seem quite the eccentric, Jim hasn’t said much about Steve and I’m wondering what his impressions were of him. Overall Jim has been characterizing himself as a force to achieve two goals, to make comic books and all related activities reach their full potential and for the equitable treatment of creators so I wonder what his thoughts are on the Todd McFarlane/Venom hullabaloo from the early 90’s, he was their rising star back then from his work on Hulk and Spidey then you could hear the brakes screech and now the only time they refer to him if at all is by renaming him ‘pondscum’. What are Jim’s thoughts and is Marvel truly that petty behind closed doors? might it only get worse under Disney?
Lastly has Jim had a chance to read “Kavalier and Clay”? The comic book stuff seems loosely based on Lee and Kirby tho references are made to Timely comics of the 40’s. What does Jim say about its portrayal of the industry?
Thx lazerbranz

