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Year: 2011 Page 12 of 23

The Secret Origin and Gooey Death of the Marvel/DC Crossovers – Part Five, the Last

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On July 23, 2011

In 05 Secret Origins

And Then Things Got Ugly

Dick Giordano asked me to meet him for lunch on May 26th, I believe. He picked an Italian place on Madison Avenue near 42nd Street, about halfway between DC and Marvel’s offices.

He had this news: Gerry Conway had quit the project. Okay. Apparently Roy Thomas, however, had expressed interest in scripting the book. Fine, I said, but he’s going to have to start from scratch. First, we needed a new plot.

By the way, the Marvel Comics of the 1980’s site has it wrong. It says that Gerry was “…asked to plot the epic story with Roy Thomas providing the script.” No. Gerry was the intended writer, plot and script. When he bailed out, that’s when his friend Roy stepped up and volunteered to take over.

The purpose of the lunch was to convince me that Roy could save it in the dialogue. No, not even Roy could do that. Think of the plot as a thing meant to be an airplane, but one look told you it had no wings, no landing gear, no engine and no cockpit. What difference does it make if you have a great pilot?

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The Secret Origin and Gooey Death of the Marvel/DC Crossovers – Part Four

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On July 21, 2011

In 05 Secret Origins

Batman/Hulk, Titans/Mutants and Are You Kidding?

Superman and Spider-Man succeeded beyond expectations, launching the Marvel/DC crossover series in spectacular fashion.

Next up, published in late 1981, I think, was Batman vs. the Incredible Hulk. Len Wein, DC’s top writer, who, of course, had written both characters, was the natural choice to write the book. Brilliant Jose Luis Garcia-Lopez penciled it and Dick Giordano inked it wonderfully. Great stuff.

Next, published in 1982, came the Uncanny X-Men and the New Teen Titans by Chris Claremont, Walt Simonson and Terry Austin. Great stuff.

It looked like we were getting the hang of it….

Then along came the Justice League of America vs. the Avengers.

The nightmare brouhaha it stirred up killed the series.

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The Secret Origin and Gooey Death of the Marvel/DC Crossovers – Part Three

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On July 20, 2011

In 05 Secret Origins


The Urge to Kill.  Twice.

The penciling on Superman and Spider-Man went pretty fast.  John Buscema was amazing.

I drove out to John’s house in Port Jefferson on Long Island a couple of times for business reasons.  I don’t remember what the business was but I clearly remember spending time with John, meeting his lovely wife and seeing their wonderful home.

He showed me his studio.  John had a very set work routine.  Start work early.  Warm up for a while, doing little sketches just to get loose.  Work a normal length day, eight hours, he said, as I recall, with a lunch break.  And, at the end of each day, he’d have finished five or six beautiful pages.  Some artists struggled to finish one page a day.  Some couldn’t even do that much.

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The Secret Origin and Gooey Death of the Marvel/DC Crossovers – Part Two

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On July 19, 2011

In 05 Secret Origins


Plan “B”

Once the contracts were buttoned up and signed we started work on Superman and Spider-Man.  I picked Marv Wolfman to write the book for a number of reasons:  he was a marquee name and deservedly so, he was in New York, conveniently, he was absolutely reliable, and most of all because he really, really wanted to do it.  Our other two superstars were Roy and Archie.  Both were pretty solidly booked up, Roy was in California and Archie was way too slow.

So, we had Marv, a top tier guy writing, John Buscema, our number one penciler doing breakdowns, and Joe Sinnott, our premiere inker finishing.  A dream team.

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The Secret Origin and Gooey Death of the Marvel/DC Crossovers – Part One

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On July 18, 2011

In 05 Secret Origins


One morning in mid-1980, Jenette Kahn called and asked me to lunch to discuss an idea she had.

In those days, I usually came to work wearing a sport coat with an open-collar shirt.  When I knew I was going to have civilian visitors (“civilian” means non-comics people, in case any of you civilians out there don’t know) or there was a business meeting on the docket I wore a tie.  Sometimes a suit.

This particular warm, sunny day however, I had come to work with no tie, no jacket.  Nice clothes, presentable enough.  Like what we used to call “school clothes” back in the sixties.

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More Strange Tales – Why I Dropped Len on His Head

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On July 15, 2011

In 03 Marvel Comics, Uncategorized

It was Stan’s fault.

Once upon a time, while I was associate editor at Marvel, a bunch of us were hanging around the office after work.  This often happened during that brain-dead hour or so when the words you were trying to edit started swimming around on the pages. 

Often, DC guys showed up to hang out with us.  Staff and freelancers weren’t allowed to hang out at DC’s offices after work.

Mostly, it was just guys hanging out.  Occasionally, a woman or two joined the slug-fest (in the sense of a festival of slugs).  There weren’t that many women in the biz then.  Fewer than now.  Weezie was among us sometimes…maybe Mary Jo, once in a while…Glynis…not many.

For some reason, besides talking comics, arm wrestling had become a popular goofing off/horsing around activity.  I remember that few men could beat Glynis.  Petite (relative to me, anyway), sweet, gentle Glynis!  Who’d have thought?  She’d win or draw, usually.

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More Strange Tales

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On July 14, 2011

In 03 Marvel Comics, 09 Reminiscences and Tributes, Uncategorized

HAPPY BASTILLE DAY!


Len Wein Teaches Me a Lesson (and, oh, by the way, Roger Stern, too)

Roger Stern started working at Marvel in December of 1975, two weeks before I did on the first working day of January 1976. 

Rog came from Indiana.  He had previously published or co-published a slick fanzine called CPL (Contemporary Pictoral Literature, I think.) that had been devoted to Charlton Comics.  He had been hired as an assistant editor.  Among his first duties, I think, was editing letter columns.

(NOTE:  Letter columns were commonly put together by the writers of the individual books, who would sort through the fan mail, select letters to be printed and write the answers or comments.  A few lettercols were written by someone other than the book’s writer.  If that person couldn’t or didn’t want to do his or her own letter column, a staffer or other freelancer would do it.  For instance, lettercols for the Kirby books were done by someone other than Jack.  Writing a lettercol in those days paid $25, I think.)

I had been hired as associate editor.  Rog and I both sat in the big editorial room outside the Editor in Chief’s office, which took up a corner of that room.  We were the two new guys.  We became friends, and remain friends…at least until he reads this.

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Superman, the Playboy Club, Decorating Higgins, the Secret Theater and More Strange Tales

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On July 13, 2011

In 03 Marvel Comics, 09 Reminiscences and Tributes

Superman 

My first year as Marvel Editor in Chief was a tough one in many ways for everybody on staff.  We all worked our butts off to get caught up, make things better and keep Marvel alive.

I suppose I could look up the date, but I’m pretty sure it was late in the year, during cold weather, anyway, that the long-awaited Superman movie came out.

I figured the editorial and production people deserved a perk.  An early Christmas present, if you will.  No, I’m not going to say “holiday present.”  I’m old.  I get the senior citizen discount.  Give me a PC break.

Anyway…the movie opened strong.  It was a hit.  With a large group, the only sure way to get in without standing in line for hours, at least for the first few weeks after the premiere, was to go to the first show in the morning.  No, I’m not going to say “standing ON line.”  I’m from Pittsburgh where one stands IN line.  I get the Allegheny Plateau discount.  Give me a west-of-the-Hudson break.

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EPIC Interference

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On July 12, 2011

In 03 Marvel Comics

A Little Back Story

Sergio Aragonés came to visit me one day to pitch an idea for a humorous comic book starring a funny, cheese-dip-loving barbarian character.  Just one thing—he said he knew that Marvel had to “own everything,” but he wanted to retain some small interest in the character.  He knew Marvel had to own and control it, but he would like—he held his thumb and forefinger an inch apart—a  little piece.

I told Sergio we could do better than that.  No reason he couldn’t own it lock, stock and cheese dip.  Marvel would be perfectly willing to publish his comic book series under a normal, real world publishing agreement, that is, specified rights, all negotiable, for a specified term.

He didn’t believe me. I introduced him to Publisher Mike Hobson. Mike assured him that I was empowered to make such a deal. We were willing to draw up a deal memo on the spot that Sergio could take to his legal advisors.  Sergio said he had no time right then because he had an appointment somewhere else, after which he was going back to the Coast, but he’d be back in New York in two weeks.

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Righting the Ship – Part Three

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On July 11, 2011

In 03 Marvel Comics

First, this….I’m very grateful for your comments. I appreciate your knowledge, wisdom and insight. I love it when you fill in details that I leave out, when you deepen the discourse and especially when you catch me if I slip up. You’re the best editors anyone could hope for. I look forward to reading what you write. It’s a highlight of my day, every day. Thanks.An EPIC Deception

Late 1979.  We needed an Editor for a new magazine we had in the works, working title Odyssey.  It was intended to appeal to the adult readers we already had, attract others and open the door to creators worldwide who wanted to work on properties they owned rather than do work for hire on Marvel’s established properties.

I spoke with Stan about it.  Getting the right editor was critical.  I suggested that we offer the position to Archie Goodwin.

I didn’t think Archie would take the job if it meant reporting to me.  First of all, working for someone who used to be your assistant is usually awkward.  Given the drama that arose from my replacing him as Editor in Chief, I figured it was a non-starter.

Unless….

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