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Rooting Out Corruption at Marvel – Part Three of a Bunch

The Benevolent Lapping Scam – Benign Malfeasance

Around the beginning of December, 1977, Marvel President Jim Galton offered me the Editor in Chief job, replacing Archie Goodwin.  (How that came to pass is another wondrous strange tale, coming soon.)  Archie was going to step down as EIC and become a contract writer-editor.

The plan was for Archie to finish out the month and for me to begin on the first working day of January, 1978.  Stan thought it would be best not to announce the change until just before it went into effect.

The month of December, 1977 was a traumatic time for Marvel.  John Romita resigned as Art Director to work full time on the Spider-Man syndicated strip.

And, Production Manager John Verpoorten died at the age of 37.

Jack Kirby Drawing of Captain America

My giant Jack Kirby drawing. Mentioned in Reminiscing About Jack Kirby.

Signature and dedication.


Sorry about the shadows and reflections.  The photos would be better if JayJay had taken them, but I had to post these today, on Flag Day.

Rooting Out Corruption at Marvel – Part Two of a Bunch

The Benevolent Lapping Scam – Background Info

While Stan Lee was the editor, from 1941 till Roy Thomas took over as Marvel’s first Editor in Chief in 1972, Marvel Comics was run like a mom’n’pop operation.  Stan was the boss, and did or governed all things creative.  For a while during the 1950’s, and again from the early 1960’s through the early 1970’s, his “right hand man” was Sol Brodsky, Production Manager.  Besides overseeing the mechanics of getting the books created and printed, Sol handled anything legal, financial, technical or complicated, that is, anything Stan didn’t want to be bothered with. 

In 1972, Roy Thomas took over from Stan, who had been made President.  That didn’t work out.  The bureaucratic crap and administrative duties involved didn’t suit him, so Stan became Publisher instead.  

By then, Sol had left for a while to start ill-fated Skywald Publications, which promptly failed.  Sol needed a job, and approached Stan, but a new Production Manager had been hired in Sol’s absence—John Verpoorten.  Stan convinced the Cadence Board to create a new position for Sol, “V.P. of Operations.”  Essentially, he was Stan’s right hand man again.  More on that later.

The Merry Marvel Marching Society

I found these the other day.Thanks to my charmingly pack-ratty mother, my Merry Marvel Marching Society membership kits survived the ages. That’s her writing on the envelope of the first membership kit.

The first time I signed up for the M.M.M.S. was in 1964, at the age of 12. Later Marvel offered a second membership kit. Had to have it. That would have been in 1966 or 1967. Anybody know for sure when the second kit was offered? Anyway, by that time I was a regular writer for DC.

So, I was an M.M.M.S. member in good standing while working for Mort, which posed a grave danger….

A Letter From Curt Swan

I came across this yesterday. It’s the first letter I ever received from Curt Swan, hand written on a 14×16″ piece of vellum. What a wonderful letter, what a brilliant artist, what a great man.P.S. Check out how neat the lettering is.  : )

(Click on the letter for a more satisfyingly large image)

Archie Goodwin Bares All

JayJay Here. Back in the Marvel days Jim frequently would give a gift box of Godiva chocolates to people for their birthdays, anniversaries, etc. It was a popular gift with the staff and even more popular when the recipient shared! One year Archie Goodwin made the birthday card below for Jim.

 

Jim Shooter Boards the Battlestar Galactica-Guest Blog

By J.C. Vaughn

Back in 1999 along with my friends Mark L. Haynes (now a writer-producer living in Los Angeles) and Jim Kuhoric (now VP of Avatar Press), I took over a small press company called Realm Press, which had the license for Battlestar Galactica. This was about five or six years before it would have been trendy to have the license, but we all loved the original series or at least its potential and so we made our plans and did what we could to create good comics. Jim K. wrote our main series. Mark handled the lettering, production, and the continuity editing (stuff like the Galactica terminology). I handled the story editing, working with the artists, and so on.

The main series was a painted comic and for a variety of reasons it ended up always being late. Even though we had our regular jobs to go to the next day, Mark and I (Jim K. was married and had a life) would end up doing rewrites overnight as Mark lettered the issues, trying to make Jim’s scripts match up with the art we received. Best quote ever during this period – Mark: “Which one of these four panels is Panel Six?”

Rooting Out Corruption at Marvel – Part One of a Bunch

When I took over as Editor in Chief of Marvel on the first working day of January 1978, I didn’t know it, but the place was rife with corruption.  Most of it was small-time, but some of it wasn’t so small. This is the tale of one of the smaller, but still very damaging instances.First, in my early days as Editor in Chief at Marvel, I went to a lot of conventions, trying to promote the books. I was on the road two or three weekends a month. I paid my own expenses—that is, Marvel paid my expenses. I had an expense account. So, con organizers were glad to have me, a professional guest for free.In case you don’t know, in those days, comics companies never sent creators or even staffers to conventions, or on any kind of promotional trips.  It just wasn’t done. Con organizers had to pay all expenses to get professional guests to come, unless the pro lived in the neighborhood.  Then, all they had to do was provide a free table.

Anyway, I did a lot of panels talking about, and talking up Marvel projects. These speeches were usually followed by a Q&A.

Inevitably, someone in the audience would complain that they had subscribed to one or more Marvel titles, but no books ever came. Why? Once, in Chicago, I asked the crowd if anyone had subscribed to any Marvel titles and received no books. A dozen hands went up.

I told them that I would look into it.

Look, Up in the Sky…!

JayJay here. I was going through some old stuff recently and came across this Chicago Comicon program that Jim gave me back in 1984. It inspired him to write the following. Finally my pack-rattiness pays off!

One day, I’m sitting at my EIC desk and my assistant says Mike Gold is on the phone.  Mike, among other things, was one of the organizers of the Chicago Comicon.  This was 1984 and the theme of the Con that year was Superman.

Mike asked me to do the cover art for the program book. Not could I please get John Byrne or some other Marvel star artist to do it.  He wanted me to draw and ink the cover.

10 Best Comics’ Creators’ Quips and Quotes

(…that I can think of at the moment, in no particular order)

1.  Bill Gaines’ opening remark to me, each and every time I saw him:  “My ambition in life is to weigh less than my refrigerator.”

2.  Editor Carl Potts to me:  “The problem with you is that you’re stubborn.”
Me:  “Well, that’s the Potts calling the kettle black.”

3.  Editor Larry Hama to me:  “All the really creative people are crazy.”
Me:  “I’m not crazy.”
Larry:  “Exactly.”

4.  Gil Kane to Louise Simonson:  “Yes, my boy.”

5.  Jack Abel to anyone who displeased him while in polite company:  “Ingest excrement and expire.”

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