My sincere apologies. I’m sorry today’s post was so late that it drifted into tomorrow…that is, today. I’m trying. Sometimes life interferes with fun.My previous post about answering submissions at Marvel garnered
~P~ said…
Count me as yet another young hopeful, whom, after bleeding art and story on paper, I would swaddle my creations and send them “down the Nile” to the Marvel Submissions Office.
In the mid 1980’s I had sent in a few samples of “panel-by-panel continuity” (as the office called it) and always received some encouraging replies (even though they were rejections). They may have been signed by YOU, Jim. (I saved these letters for many years, but think they were lost in a relocation.)
One time in the late 1980’s, I sent in an original submission (an originally conceived horror story – no superheroes, just various types of architecture, creepy settings, and some nasty doings with top-hatted gentlemen, rabid dogs, rats, a burning castle and a vile succubus at the end).
The reply that I later received in the mail was photocopies of practically the entire volumes of some of Andrew Loomis’ books; “Figure Drawing for All It’s Worth” and another about film techniques and direction.
The letter included in the packet told me that they thought that I had a lot of “very close, but not quite there yet” talent, and that I should cram on the pages of the photocopied volumes.
While I would love to state that you were the correspondent, instead, the reply came from Carl Potts.
The only other time I received such deep, encouraging replies was from Mike Friedrich, to whom I had sent samples after being told to do so by Norm Breyfogle, after his seeing my work.
Neither venture led to any work, or any further contact past that point. Much of the blame falls upon my own shoulders, for not hammering out sample after sample (while striving to improve myself at each go-round).
Truthfully, I felt that I didn’t want to “make a nuisance of myself” and avoided trying to jam my foot in the door (which, I guess would have been the better way to go).
Anyway, while I did manage to get a few independent comics under my belt (as writer and illustrator), the implosion of the 90’s sort of shut the door on that.
But, I will ALWAYS be grateful to ANYONE who takes the time to actually LOOK AT and REPLY TO (hopefully, with encouragement) the blood, sweat and tears of hopeful talents.
These days, there are reality shows dedicated to trying to find the “next big thing” but when I was younger, no one wanted to even look at you.
Thank you, Jim.
And thanks to any like you who know what it’s like to be on the outside looking in – waiting… waiting… for a chance.
~P~
September 2, 2011 9:46 PM