Month: October 2011 Page 2 of 3

Actually, come to think of it, those two probably wouldn’t stand out much in that crowd. Anyway, he noticed me, and through the bullhorn blasted, “Good morning, Mr. Shooter!”
My welcome to NY Comic Con 2011. : )
Toward the end of my teen-age stint as a writer for DC Comics, I took a part-time job washing dishes at a restaurant.
It wasn’t that DC wouldn’t give me all the work I could handle and fill every minute of my time—the fact is that working for Mort Weisinger was killing me. His abusive keep-the-creators-under-his-thumb editorial “style” had worn me down.
Early on, when the big, important man (said he) called me from New York to yell at me about every little flaw and mistake in my latest script I felt terrible. After four years of this, I’d finally figured out that DC wouldn’t keep sending me checks if what I did wasn’t any good, and Mort’s rants about what a moron I was for misspelling a word or some such became just noise. Grating, irritating noise. Mort still made writing comics a pain, an ordeal—even if he no longer had the ability to make me feel bad about myself.
I found myself less and less interested in the work, less and less enthused about doing something, that at first, I loved. My productivity fell off steadily.
So I looked for something, anything else to do to make some money for my family. Options are limited when you’re eighteen. So, that year, and for several years after quitting DC, whenever any creative work I got wasn’t steady enough, I took various less glamorous jobs.
Washing dishes at the Viking Restaurant in Banksville, just through the Fort Pitt Tunnel and down the road a ways from Pittsburgh, I met Sam, a fellow kitchen grunt. We became friends.
At one point, I needed in the worst way to make a long distance call and had no money for the pay phone. Sam gave me his last five bucks with days to go till payday. As long as I live, no matter what I ever do for Sam, there’s no way I can ever repay that five bucks. You can’t give more than all.
“I think it’s funny seeing Matt Murdock say “It was nice of Foggy to get me this push button tape recorder”. That would have been a big deal to a kid back then. My dad let me play with one he owned in the 70’s and I know I played with it for hours upon hours. The one pictured above looks like it’s about 3 times as big as the one I used.
One thing that bothers me about modern comics is that in many cases they are still using repulsor rays and outdated or misinterpreted science from 50 years ago. When Stan Lee wrote about transistors in 1961, they had only been invented 2 years earlier. Stan didn’t understand that transistors don’t actually power anything, because they were just a switch…. What’s important to me is that he made an attempt to keep the science and technology relevant. I don’t see any interest by most writers to do that in modern comics. We have scientists on the verge of creating black holes in Europe. We’ve got robots that climb walls using nothing but surface tension. We have scientists out in Arizona melting diamonds and creating heat 60 times hotter than the sun. I liked comics for the imagination and possibilities they introduced. Definitely not just social possibilities they showed us. There was more to it than “Hey, I’m bigger than you… I’ll stick my chest out while I’m hitting you into the next state.”
People are working on Iron Man armors. People are working on suits you can wear to climb walls like Spider-Man. Scientists are working on Invisibility cloaks that can hide objects or entire events. Scientists have made a material 10 times harder than diamonds. Is it any wonder kids have no interest in science related occupations anymore. Mainstream modern literature escapes more into pure science-fantasy than it does science-fiction.
Apologies for derailing the topic, but those images mean more to me than just examples of female stereotypes in the 60’s and 70’s.”
Answer:
RE: Science fiction vs. science fantasy: Some of us are still trying to go the science fiction route. An executive from Intel whose title is “Futurist” was sufficiently impressed by the research and real science underlying the stories my recent Doctor Solar: Man of the Atom and Magnus Robot Fighter comics that he based a lecture he gave at the University of Washington on my stories. He also invited me to appear with him and Craig Engler, senior executive of the SyFy Channel on a panel this Sunday at the NYCC: “Screen Future: Gaming, Comics and TV Around the World and Five Years From Now.”
“Totally off-topic, I’ve been reading some old Daredevil tales from the 1960s/70s and was surprised at the “limp” way the female characters were presented. Both Karen Page (in particular) and the Black Widow are from the “Oh, Matt…” school. Any thoughts? (or kick me into the place where I SHOULD have posted this) – MmM “
RE: the portrayal of female characters in the 1960’s and 1970’s. Those were less enlightened times. And not all the creators at that time were up to date even with the current state of enlightenment.
I grew up in the 50’s and 60’s. That was a remarkable time in which a sweeping revolution began that has changed the world, at least the western world, tremendously. It didn’t happen suddenly, all at once, but starting then and continuing now a revolution in the human condition occurred. I was just old enough to retain an awareness of the before and comprehend the transition into the after, up to the present. Therefore, I am able to conceive of and believe in progress beyond the still-sorry state of things.
JayJay here. Jim is otherwise occupied today so I thought I would come up with something to fill in and also spotlight what one of our readers, the wonderful JediJones, has accomplished… He has compiled a list of Jim’s work that is available on Amazon. We appreciate all the trouble he went to!
JediJones comments:
I just compiled a list of links of Jim’s trade paperbacks available on Amazon. I inserted Jim’s affiliate link code so he should get full referral fees if you buy through these links.
Jim, Amazon also has this bibliography page with a form for you to make updates to it. It’s missing most of your titles so you might want to update it and then you can link to it here. It might also be worth posting direct graphic links here to the pre-orders for the new Secret Wars I and II trade paperbacks. (Thanks! I will work on that!–JJ)
Marvel Avengers: The Korvac Saga (Marvel Premiere Classic) (Collects Avengers #167-168, #170-177)
Marvel Secret Wars
Marvel Secret Wars II
Marvel Secret Wars Omnibus (Collects Secret Wars #1-12, Thor #383, She-Hulk #10)
Marvel Secret Wars Omnibus Alex Ross Variant Cover (Collects Secret Wars #1-12, Thor #383, She-Hulk #10)
Marvel 44 Years of the Fantastic Four DVD-ROM Collector’s Edition (Collects #1-519, Annual #1-32, with ALL comic pages including all Bullpen Bulletins written by Jim)
Marvel New Universe Star Brand Classic – Volume 1 (v. 1) (Collects #1-7)
DC Legion of Super-Heroes Archives, Vol. 5 (DC Archive Editions) (Collects stories from Adventure Comics #340-349)
DC Legion of Super-Heroes Archives, Vol. 6 (DC Archive Editions) (Collects stories from Adventure Comics #350-358)
DC Legion of Super-Heroes Archives, Vol. 7 (DC Archive Editions) (Collects stories from Adventure Comics #359-367, Jimmy Olsen #106)
DC Legion of Super-Heroes Archives, Vol. 8 (DC Archive Editions) (Collects stories from Adventure Comics #368-376, Superboy #147)
DC Legion of Super-Heroes Archives, Vol. 9 (DC Archive Editions) (Collects stories from Adventure Comics #377-380, Action Comics #378-387, #389-392)
DC Legion of Super-Heroes Archives, Vol. 11 (DC Archive Editions) (Collects stories from Superboy #203-212)
DC Legion of Super-Heroes Archives, Vol. 12 (DC Archive Editions) (Collects stories from Superboy #213-223, Karate Kid #1)
DC Legion of Super-Heroes: Enemy Rising (Collects Vol. 4 #37-44)
DC Legion of Super-Heroes: Enemy Manifest (Collects Vol. 4 #45-50)
Dark Horse Gold Key Doctor Solar, Man of the Atom Volume 1 (Collects #1-4)
Dark Horse Gold Key Magnus, Robot Fighter Volume 1 (Collects #1-4)
Dark Horse Gold Key Turok, Son of Stone Volume 1: Aztlan (Collects #1-4)
Valiant Harbinger: The Beginning (Collects #0-7 recolored)
Valiant X-O Manowar: Birth (Collects #0-6 recolored)
Valiant Archer & Armstrong: First Impressions (Collects #0-6 recolored)
Valiant Solar, Man of the Atom: Alpha and Omega (Collects #1-10’s backup stories)
Valiant Solar, Man of the Atom: Second Death (Collects #1-4)
Valiant Magnus, Robot Fighter: Steel Nation (Collects #1-4)
Valiant Magnus, Robot Fighter: Invasion (Collects #5-8)
Valiant Rai (Collects #1-4)
Valiant Harbinger: Children of the Eighth Day (Collects #1-4)
Valiant X-O Manowar Retribution (Collects #1-4)
Valiant Shadowman (Collects #1-3, 6)
Valiant Unity Saga Volume 1, 2, 3 & 4 (Collects Unity crossover)
Defiant Warriors of Plasm The Collected Edition (Collects Warriors of Plasm #0-4, Splatterball #1)
Broadway Comics Inherit the Earth (Collects Powers That Be #1, Shadow State #1-2, Fatale #1-6)
I’ve been going through old stuff as well and I ran across an issue of Variety that had a special section for Marvel’s 25th Anniversary. I scanned some of the pages. Click the images to enlarge.
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| Jim has promised to tell the story of working with George Romero on Mongrel soon! |
If an editor or a creator knew the fundamentals, had an approach that seemed reasonable and had the chops to pull it off, well, all righty then. It was never my goal to Shooter-ize everything. I just wanted to make good comics, and I realized there were many ways to go to get to that goal.
(ASIDE: For instance, Editors in Chief before me had always taken personal charge of designing the covers and writing the cover copy. It seemed to me inevitable that a sameness to the covers would creep in after a while. I’m not talking about a consistent “Marvel feel” or even a house style—I mean staleness—“oh, that again” syndrome. Didn’t matter who the EIC was, or how talented. The covers Len Wein created under his own administration as well as those he created as freelance cover editor for Marv, in my opinion, fell into a rut, to a certain extent. Too many covers featuring two big figures duking it out. To much similar copy: “Can you guess the shocking secret of…?” “This one has it all” “Not even your (enchanted hammer or whatever) can stop Name of Villain!” Archie Goodwin’s covers, too, fell into a certain pattern.
As soon as I became reasonably confident that an editor had a clue about cover design, I butted out and left the covers up to him or her. Even if some weren’t as good as I would have liked, or as good as I would have done, better to have more variety, I thought.)

Who Can Explain It, Who Can Tell You Why…?
This is the introductory paragraph of the series overview I wrote for Dark Horse’s prospective re-launch of the Gold Key title Spektor (formerly Doctor Spektor) that, sadly, never made it to print.
“Have you ever met anyone who, at some time in his or her life, hasn’t experienced something inexplicable? Knowing the phone was going to ring a second before it did? A premonition that proved true? A horoscope that was uncannily accurate? Next time you’re at a party, ask if anyone has a “ghost story,” a tale of something spooky that happened to them. Almost everyone does.
“I have several “ghost stories,” and I’m the second most skeptical man on Earth.”
If you’re wondering, the most skeptical man on Earth, at the beginning, at least, was going to be Spektor.









